Showing posts with label British literature. Show all posts
Showing posts with label British literature. Show all posts

Monday, 27 January 2014

The best royal books of 2013

I did not have much time for writing book reviews on my blog in the past year, but 2013 saw the publication of several interesting works, so I thought I should at least give a brief survey of some of the best royal books of 2013 (in no particular order).

1. Jonas Nordin, Versailles: Slottet, parken, livet
Versailles, the ultimate royal palace, is done more than justice by the Swedish historian Jonas Nordin in his well-researched, insightful and readable account of the palace, the park and life at the French court. While most of the literature on Versailles focuses on the age of Louis XIV, Nordin takes the story through the reigns of Louis XV and Louis XVI, making this one of the most complete histories of Versailles.

2. Philip Murphy, Monarchy and the End of Empire: The House of Windsor, the British Government, and the Post-war Commonwealth
While the accession of Queen Elizabeth II of Britain 62 years ago was hailed by some as the dawn of a new Elizabethan age, the main link between Elizabeth I and Elizabeth II proved to be that while the foundations for the British Empire were laid during Elizabeth I, the Empire came to an end during Elizabeth II. Taking up Peter Hennessy’s and the late Ben Pimlott’s challenge to historians to explore the links between monarchy and politics, Professor Murphy shows how the British Empire has morphed into a Commonwealth of Nations and what has been the role of Elizabeth II and the monarchy in this process. This volume will take its place among the handful of the most important books on the reign of Elizabeth II written in her lifetime.

3. Jes Fabricius Møller, Dynastiet Glücksborg: En danmarkshistorie
While there is no dearth of Danish royal books there has until now been no book covering the history of the reign of the Glücksburg dynasty since it came to the Danish throne in 1863. The historian Jes Fabricius Møller puts this right by what may be called a “political history” of the Danish monarchy since 1863, where he charts the monarchy’s interaction with politics, the public and the media. Unlike many royal books this one approaches the royal family in an analytical rather than anecdotal manner. Yet it does so in an engaging way, so that the result is rewarding reading for general readers as well as for fellow historians.

4. Elena Woodacre, The Queens Regnant of Navarre: Succession, Politics, and Partnership, 1274-1512
While the Kingdom of Navarre is largely forgotten today, it commanded a strategically important position in the Pyrenean region and is also of interest as the kingdom where reigning queens first ceased being an anomaly. Between 1274 and 1512, when the major part of the realm was conquered by Castile, there were five queens regnant (a sixth queen ruled the rump kingdom later in the sixteenth century). In her ground-breaking volume, the historian Elena Woodacre investigates the challenges faced by these five female rulers and their way of governing, including the various modes of power-sharing with their husbands. As such this is a book which ought to be of interest to anyone interested in the issue of female rule in early modern Europe.

5. Poul Grinder-Hansen, Frederik 2.: Danmarks renæssancekonge King Frederik II, who reigned over the Dano-Norwegian realm between 1559 and 1577, has to a great extent been overshadowed by his popular, long-reigning son Christian IV and often been portrayed in a less than flattering manner. In this first biography of Frederik II, the historian Poul Grinder-Hansen sums up recent decades’ re-evaluation of Frederik II, showing how his policies were arguably far more successful than those of his son and demonstrating the cultural role played by Denmark-Norway’s first true renaissance monarch.

Monday, 19 November 2012

New books: Mountbatten’s daughter, Elizabeth II’s lady-in-waiting

The memoirs of the children of famous parents and of former courtiers have in common that they are frequently rather dull, dreary and over-careful not to say anything that is not already known. The autobiography of Lady Pamela Hicks, youngest daughter of the famous Earl Mountbatten of Burma, first cousin of Prince Philip and former lady-in-waiting to her third cousin, Queen Elizabeth II of Britain, is an exception to this rule.
In Daughter of Empire: Life as a Mountbatten, published by Weidenfeld & Nicolson last month, Lady Pamela Hicks tells the story of her early years with humour and a sharp eye for the telling detail. She relates the story of her life from her privileged childhood, the “exile” in the United States in the early stages of World War II, her time in India while her father was its last viceroy and the tours on which she accompanied the current Queen as lady-in-waiting. These travels include the visit to Kenya in February 1952 which was cut short by the death of George VI and the accession of Elizabeth II, which Lady Pamela observed at first hand.
As children of famous parents often are in their memoirs, Lady Pamela is admiring and generally uncritical of her parents. Yet she is very candid about her parents’ unusual marriage, and how their open infidelity to each other brought their lovers into the children’s lives in what seems a most natural manner and how these lovers themselves became important to the two Mountbatten daughters. The portrayal of her paternal grandmother, Victoria, Marchioness of Milford Haven, stands out as one of the most memorable aspects of the book, along with her loving depiction of the time she spent in India with her parents during that country’s transition from colonial status to independence.
There seems to be a set of “approved” royal anecdotes which are included in all such memoirs (how many times have we not read for instance of how the then Princess Elizabeth’s tiara snapped and the pearls and the bridal bouquet had been mislaid just before she set off for her wedding?), but besides these there are many amusing stories in this book, some of them hilarious.
Occasionally Lady Pamela gets her facts wrong, for instance by giving a wrong date or misspelling a name, or imagining she departed from “JFK” airport in the 1940s when she apparently means La Guardia. And there is a glowing account of what “a privilege” it was to meet “the legendary King Haakon of Norway”, who “was deeply revered by his countrymen as a war hero, a symbol of his people’s resistance”, before Lady Pamela goes on to tell us how he “remained defiantly in his palace and rode out on his white horse through the streets of Oslo every day”, which is the exact opposite of what King Haakon actually did (leading a government in exile from London), but reminiscent of what his brother, King Christian X of Denmark, did.
The book ends with Queen Elizabeth II’s great Commonwealth tour following her accession and then a brief epilogue about Lady Pamela’s marriage to the designer David Hicks in 1960 and how they learned of the death of her mother upon returning from their honeymoon. As such it is not a complete autobiography and indeed I think this early end to the book makes Lady Pamela herself appear less interesting than what she might actually be.
There had been marital approaches made by Prince Georg of Denmark, who was turned down by Lord Mountbatten without Lady Pamela having been consulted. There was a romance with a Lebanese man and, we are told, ten proposals of marriage. But it was only when she met an untypical suitor in the shape of David Hicks that she was “completely bowled over”.
“It was an unorthodox match but one that would change my life completely”, she writes. “After twenty-nine years as the dutiful daughter of a family at the heart of British society, with all its traditions and ceremonies, I was about to enter a completely new world – of fashion, design and the whirlwind of the 1960s”. The contrast between the world into which she was born and the world into which she married must have led to interesting experiences and, perhaps, difficult transitions, something which might have been an interesting tale. But perhaps Lady Pamela Hicks considers that a different story?

Sunday, 4 November 2012

New books: The Queen Mother in her own words

As I pointed out when reviewing William Shawcross’s official biography of Queen Elizabeth the Queen Mother of Britain three years ago, one of the pleasant surprises about that book was what a sparkling letter-writer the late Queen was throughout her long life. Apparently I was not alone in noticing this, and last month Macmillan issued what might perhaps be called a companion volume to the official biography, titled Counting One’s Blessings: The Selected Letters of Queen Elizabeth the Queen Mother, edited by Shawcross.
The book runs to 666 pages and covers the huge time span from 1909 until 2001. In between the letters there are also some extracts from the diaries she occasionally wrote in younger years, a few speeches and extracts from recorded conversations with Eric Anderson in 1994 and 1995. The letters are written to a great many different addressees and only very occasionally has the editor chosen to include extracts from letters written to Queen Elizabeth.
Obviously, not all of the letters are equally interesting. The largest section of the book is devoted to the brief fifteen years when she was Queen, while less space is given to her five decades as Queen Mother. To me this seems a reasonable solution, as her years as Queen were obviously more interesting and event-filled than her long widowhood. As the wife of the monarch she was naturally more involved in affairs than as the mother of the monarch, and there are occasional glimpses of her machinations behind the scenes during World War II – for instance how she tried to ensure that the King got the media attention she thought he deserved, and criticism of the King’s advisers in that respect as well as of Churchill for upstaging her husband in a way she thought undermined his position.
There are, in my opinion, perhaps too many letters included from the teenage Lady Elizabeth to her governess turned best friend Beryl Poignand, which deal with such things as her infatuation with the Justin Biebers of a hundred years ago. On the other hand one is charmed when the fifteen-year-old Elizabeth is going to a tea “to meet Princess Mary and Prince Albert next Sunday”, adding that “[t]hey don’t frighten me quite as much as Queens” (“rather nice” was her comment, after the tea, about the Prince who would one day make her Queen). Some of her observations of royal life shortly after her marriage, seen with the eyes of one who was until recently an outsider, are also quite amusing.
Through the letters the reader gets closer to a person who was highly visible for eighty years, but who nevertheless managed to remain very private. In her letters Queen Elizabeth made no attempt at hiding her views on party politics. Already in 1924 she describes herself as “extremely anti-Labour”, followed by other harsh words through the years and herself longing to use her vote and dispatching “a busload of servants up to London” to vote for the Conservative candidate Duff Cooper in 1931.
She declares her hate for the League of Nations and her view that it is “a crime for women to take jobs that men can do as well”. Gandhi was in her eyes “an old blackmailer […], practically committing murder to gain his own ends […]”. There are no signs of her having become less conservative with time, but apparently she learned to express herself somewhat more diplomatically on political matters with the passing of the years and in her old age even acknowledged that Attlee had been “a very good Prime Minister”.
On the other hand she mostly remained discreet about family matters, although there are some critical remarks about her parents-in-law and expressions of the young Duchess’s sense of being frustrated in her wishes by “Press & Precedent”.
Occasionally her letters are self-revelatory in a way which was perhaps unintended. For instance, when Beryl Poignand in 1930 is about to publish a book on Princess Elizabeth, the Duchess of York asks only for the removal of a suggestion that she might one day be Queen. “It always irritates me, this assumption that the Prince of Wales will not marry – he is quiet young and it is rude to him in a way too”, she writes, and one is left wondering if it was perhaps also a thought the Duchess herself was uncomfortable with.
On the subject of King Edward VIII one notes how close she used to be to him in the early years of her marriage. When he abdicated she found it “hard to believe that the one that we knew as Prince of Wales could possibly have done what King Edward did” – to her, the Prince of Wales and King Edward were apparently almost two different men. Queen Elizabeth is often said to have thought that the abdication, and thus in fact Edward VIII, caused the early death of her husband. This is not a view expressed in any of the letters quoted, but already in 1951 we find her referring to the Duke of Windsor as “the part author of the King’s troubles”.
Her deep sense of loss after King George’s death is very evident, as is the degree to which she had depended on him and how he, as she wrote to Queen Mary on the day of his death, had been her “whole life”. Doing things without him “nearly kills one”, she writes in 1954. The letters speak of a blackness which engulfed her for years after his death – in 1957 she was still struggling to find peace of mind – but also of her resolve to never give in, as “the King never gave in, and I am determined to try & do what he would have wished”.
Her letters to Queen Elizabeth II in particular speak of a sense of loneliness which apparently never left her after the death of her husband (the letters suggest that her relationship with Princess Margaret was less confidential than with her elder daughter). The most moving personal aspect of this book is perhaps that of the contrast between the joy which always radiated from the Queen Mother in public and the melancholy and loneliness she felt in private as she lived on for fifty years after losing the man she had been reluctant to marry but who became everything to her. In that way this collection of letters is also implicitly a love story in itself.

Monday, 8 October 2012

New books: Royal anti-Nazis

The Palace and the Bunker: Royal Resistance to Hitler is the title of a very odd new book, written by Frank Millard and recently published by The History Press (apparently the successor to Sutton Publishing, which many of my readers are probably familiar with). Reading it one sometimes wonder if it is the author’s notes which have been published without having passed through the hands of an editor. The subject is very interesting, but the book is one of the weakest I have ever read.
According to the author’s foreword, it “is actually two books in one, each dependent on the other”. The first half deals with the rise of Nazism in Germany; the second is mostly four case studies of royal anti-Nazis. It seems quite obvious that the result would have been much more interesting and readable if the two parts had been worked into an entity where the two things were seen in relation to each other.
The author admits that he “came to the subject of the lead up to the Second World War with little prior knowledge”. While this may seems very surprising for a historian, it makes one realise why the first half of the book is taken up with what seems to be the author’s attempt to explain to himself what Nazism, eugenics, Social Darwinism et al was and how Nazi Germany and World War II came about.
The second part looks at the wartime stories of Prince Louis Ferdinand of Prussia, ex-Crown Prince Rupprecht of Bavaria, Prince Hubertus of Löwenstein-Wertheim-Freudenberg and ex-Crown Prince Otto of Austria-Hungary and his Hohenberg cousins, before adding a chapter summarising what other royals did during the war.
As much as a book about royal resistance to Nazism this is a book about various ideas about monarchical restoration in Germany and Austria-Hungary, and indeed it seems to be the author’s idea that Nazism and World War II would not have happened if the monarchies had been restored in these countries.
The author seems to believe that those belonging to royal families are somehow bound to be good men (there is also an uncomfortable religious overtone which even leads Millard to pronounce god’s blessing over one of his subjects). “Princes are the products of, and are and [sic] susceptible to, the influences of their age like anyone else, but in some ways their position and upbringing equips them [with the ability] to see over the fence and consider what they are witnessing with a little more clarity, perspective and dispassion than most other people”. If this is true, one wonders how so many monarchies have nevertheless destroyed themselves? “Such men are born leaders”, Millard assures us, “brought up to serve their countries and, if denied their destiny, it naturally becomes their perceived duty to serve all humanity”. This is a gross generalisation and it would be easy to point out counter-examples.
Millard stares himself blind on monarchies, even claiming that “[t]he German resistance movement did not and could not exist in any cohesive form without the unifying element of monarchy represented by the modern, Left-leaning Prince Louis Ferdinand, who was preferred future head of state following the fall of Hitler and his regime”. He assures the readers that “[m]onarchy was a potential defence against Hitler before the war [and(?)] became a focus of national unity and identity for exiles and anti-Nazis in Europe during the conflict”. These are widely exaggerated ideas; to the best of my knowledge the restoration of the Hohenzollerns was never a central aim for the German anti-Nazi movement, nor was this movement dependent on the deposed dynasties for to be able to exist.
“Their quiet defiance must have played its part in undermining the pretended authority of the dictator”, the author likes to think. He goes on to list several reasons why Hitler would never have come to power if Germany had been a monarchy, including that Prince Louis Ferdinand would not have been personally inclined to appoint him chancellor and that Hitler could not have opposed or reversed the will of the people. But Millard fails to take into account that Nazism had massive popular support in Germany and that Hitler was democratically elected.
Concerning Austria, we learn that “[r]estoration of the monarchy, there also, promised national integrity and moderate government safe from the Nazi menace”. However, the author fails to make any convincing argument for why an Austrian monarchy would have prevented the Anschluss that the Austrian republic did not manage to prevent. “There could have been no takeover of Austria without a fight and a real risk of international condemnation and foreign involvement”, we learn, without the author explaining why the Austrians themselves, who generally welcomed the German takeover, and the world, who did nothing in response to it, would have reacted differently if Austria had been a monarchy rather than a republic. Indeed this seems to be little but fanciful fantasies and wishful thinking by the author.
“Democracy is not automatically representative and what is representative is not always democratic”, the author explains, “but sensibly there was general agreement among the princes featured in this book – and there is agreement among their heirs [!] – that democracy should be the principal element of government[,] guided, assisted and defended by other constitutional elements, such as the hereditary principle and the rule of law as enshrined constitutionally”.
But how does he imagine that individuals such an Emperor Otto or Emperor Louis Ferdinand would have managed to stop a mass movement like Nazism? And how is this fundamental democratic spirit reconcilable with the idea that Louis Ferdinand would have refused to appoint the winner of democratic elections chancellor? And what about Italy, one may ask? The existence of a monarchy did not exactly prevent the rise of Mussolini.
To make things worse, the book is not well written. Sometimes the author jumps back and forth in time in a way that makes it almost impossible to follow events, for instance making it seem as though King Carol II of Romania was deposed twice and leaving one wondering where Prince Napoléon had been before “his return to Switzerland”.
There are many and long quotes in this book, indeed it seems sometimes to consist of little but quotes, which gives the impression that the author does not feel confident enough to stand on his own feet. Not all of the quotes are very relevant or well-chosen. For instance, most of what he has to say about the British royal family during World War II deals with the relationship between King George VI and US President Franklin D. Roosevelt until 1941. Having said that King George wanted to be present during D Day, the author suddenly quotes a long and seemingly random passage from an article in a 2011 issue of Time magazine about the royal visit to the USA in 1939, all of it information which could have found many other places. The passage about Britain’s royal family suddenly ends with an unexpected list of some random royals from various countries and various ages who were awarded the Garter, which the author imagines “was a sign of diplomatic if not military alliance from its inception when applied to foreign heads of state”.
“There will, no doubt, be errors (all mine), but hopefully none of substance”, the author writes in the foreword, before going on to tell us that Queen Wilhelmina of the Netherlands was married to her son-in-law Prince Bernhard, that King Haakon VII of Norway was the brother of his adversary King Gustaf V of Sweden, that Sovereign Prince Louis II of Monaco was the father of his grandson “Rainer” (indeed names tend to be misspelt throughout) and so on. When Marshal Antonescu shows disrespect towards “his sovereign”, King Mihai of Romania, he has suddenly become the “dictator of Hungary”.
One also wonders about the author’s choice of sources. There are two German books, one Czech book and a German book about the Hohenbergs listed in the bibliography; everything else is in English. The author says in the foreword that he has “used a lot of English and American sources because this book is aimed primarily at an English-speaking audience”. But surely that is no reason to leave out the relevant literature from other countries and I can hardly imagine that English-speaking readers would find any reason to object to the use of relevant sources even if originally written in a foreign language. Was there for instance nothing of interest or relevance about ex-Crown Prince Rupprecht to find in Dieter J. Weiß’s monumental political biography from 2007, so that the author had to try to piece together his story from what little has been written about him in English?
The overall impression is of a book written by an author whose insufficient knowledge of Nazi Germany and World War II coupled with his blind faith in monarchy make him fail to see the things he write about in their proper context and grossly exaggerate the importance of his subjects. As it is this book might as well not have been published.

Monday, 10 September 2012

New books: Jubilee diamonds

Hugh Roberts’s The Queen’s Diamonds is not the only book accompanying the current exhibition of Queen Elizabeth II of Britain’s diamonds at Buckingham Palace. In addition to that monumental book there is also the smaller Diamonds: A Jubilee Celebration by Caroline de Guitaut, curator of decorative arts at the Royal Collection.
While Roberts’s volume is the definite account, de Guitaut’s book aims at a more general audience. While Roberts’s book gives the detailed history of 74 items of jewellery, there are only 22 included in this book, but the selection is varied and representative of many different sort of diamonds, types of jewellery and historical epochs. The items included in de Guitaut’s book are those which are also included in the exhibition.
de Guitaut’s book also includes some items from the diamond exhibition which are not included in Roberts’s book, most of them not Queen Elizabeth’s personal property: Queen Victoria’s small diamond crown, Queen Alexandra’s coronation fan, a snuff box once belonging to King Friedrich II of Prussia and two jewelled swords.
It opens with a short general introduction to the history of diamonds and their association with the English/British royal family. Like Roberts’s book it is well illustrated, both with close-ups of the jewels and photos of them being used. However, there are some mistakes in the captions which appear unnecessary: Lord Snowdon is certainly not 119 years old, although a caption says he is born in 1893; the King of Norway’s name is not Harold, but Harald; and a photo of Queen Mary wearing the tiara and necklace made for the Dehli Durbar in 1911 cannot possibly show her “as Princess of Wales” in 1910, as the jewellery had not yet been created by then.
Caroline de Guitaut’s book can well be read on its own as an introduction to the British royal diamonds, but also as a useful supplement to Roberts’s larger book.

Monday, 3 September 2012

New books: British royal diamonds

As Queen Elizabeth II of Britain is in possession of some of the world’s most spectacular diamonds it seems only logical that the Royal Collection is marking her diamond jubilee with an exhibition on diamonds at Buckingham Palace this summer. There are two books to go along with the exhibition, both published by the Royal Collection: a smaller one by Caroline de Guitaut, aimed at a general audience, and a large one by Hugh Roberts, aimed at those who want the details.
However, Roberts’s monumental book, The Queen’s Diamonds, is not a complete account of all the jewels in the possession of Queen Elizabeth II. Such a work would surely require volumes, and this book is restricted to jewellery consisting entirely or primarily of diamonds, leaving out the emeralds, the sapphires, the rubies and so on. But this seems a fitting choice not only given the occasion of the diamond jubilee, but also because diamonds are arguably the stones most worn by and most associated with Queen Elizabeth. (Britain is also one of the few countries where the crown jewels are still worn by the Queen, but these are not included in the book as they are state property and not personal possessions of the monarch).
The book treats the selection of jewels chronologically. There are chapters devoted to Queen Adelaide, Queen Victoria, Queen Alexandra, Queen Mary, Queen Elizabeth (the Queen Mother) and Queen Elizabeth II, and after an introduction about each queen, her jewellery and her use of it we find what is to all means and purposes a catalogue of individual pieces of jewellery acquired by the queen in question, describing their origins, their provenance and the changes made to them.
Altogether there are some 74 pieces of jewellery included in the book, among them eleven tiaras and several necklaces, brooches, earrings, bracelets, pendants, rings and other items. There are three entries for Queen Adelaide, eight for Queen Victoria, six for Queen Alexandra, 29 for Queen Mary, fourteen for the late Queen Elizabeth and fourteen for Queen Elizabeth II, reflecting that much of the jewels worn by the current Queen have been acquired during the past three generations.
The book is very richly illustrated. All the items are shown in full, but for many there are also detailed close-ups, and for most of them there are also historical photos of the jewels being worn (sometimes the captions does not say when and where, which is a minus).
Along the way, some mysteries are solved and some misunderstandings corrected, making this the definite account of the British royal diamonds. However, while reading the book I occasionally wished for more details. For instance, the footnote saying that one of the tiaras most frequently worn by Queen Alexandra was inherited by Princess Victoria and then “disposed of” begs the questions how, when and perhaps why. Sometimes a subtle difference in wording also seems to suggest what might have been spelt out. For instance, the phrase “was loaned” seems to suggest an occasional loan, while the phrase “has been loaned” appears to indicate a permanent loan.
Perhaps one might also wish for more on each queen’s use of jewels, for instance how they used their jewellery for ceremonial purposes and for the enhancement and staging of the monarchy and themselves. For instance one may note that the current Queen has worn the so-called Diamond Diadem on her arrival to every State Opening of Parliament, but apparently this was not the case with her predecessors (her mother and grandmother wore private tiaras or their coronation crowns without arches). Roberts claims that the diadem has been worn by all the queens treated in the book and notes that it was slightly altered in 1937 for George VI’s consort. But apparently there is no record of Queen Elizabeth actually having worn it, which makes one wonder what may be the reasons for this.
This being an “official” publication means that some potentially interesting issues are passed over, probably out of discretion. For instance, Roberts writes that Queen Adelaide dutifully handed over what was considered crown heirlooms to Queen Victoria within days of William IV’s death and we know from James Pope-Hennessy’s official biography of Queen Mary that it caused some tensions when Queen Alexandra after the death of Edward VII insisted on retaining some of the jewels which should by right have been handed over to the new Queen. In Roberts’s book one notes that some of these crown heirlooms, which should have passed to Queen Elizabeth II in 1952, were apparently retained by Queen Elizabeth the Queen Mother for a full fifty years until her own death. No point is made out of this, but one may wonder if this was by special arrangement or if the new Queen simply did not care (or thought she already had access to enough jewellery as it was).
Nevertheless, this is a well-researched and beautifully illustrated account of the diamonds in the possession of Queen Elizabeth II and the book will by its sheer existence be an inescapable work of reference for anyone with an interest in the history of royal jewels.

Monday, 13 August 2012

New books: The all too familiar story of the early years of Elizabeth II

One of the best books of 2011 was Philip Eade’s Young Prince Philip, an excellent account of the life of the Duke of Edinburgh up to his wife’s coronation in 1953, which added greatly to the general knowledge and understanding of Prince Philip, his family, his background and the circumstances which shaped his character.
Now the historian Kate Williams has attempted to do the same with the subject of Prince Philip’s wife. Sadly Young Elizabeth: The Making of Our Queen, published by Weidenfeld and Nicolson in June, is the very opposite of Eade’s study: a book which adds nothing to our understanding of Queen Elizabeth II.
The book is well-written and an easy read (326 pages in a small format), and traces the story from the births of Queen Elizabeth’s parents to how Princess Margaret dealt with the Peter Townsend crisis in the mid-1950s. The starting and ending points themselves say something about one of the book’s weaknesses, namely that the choice of what to include sometimes seems rather random and that the author appears to struggle to see what is relevant and significant and what is not.
The very well-known story of Elizabeth II’s early years is told strictly chronologically and Williams has no new facts or insight to add, nor does she offer any new perspectives. Except for the abdication of Edward VIII we hear very little about who or what influenced the young Elizabeth and shaped her character and attitudes.
Carelessness about facts, which also ruined her contribution to last year’s book about English royal weddings, seems to be characteristic of Kate Williams’s writings.
A list of all the factual mistakes of this book would fill pages. On the first page following the prologue, we learn that George VI was “the second son and third child of King George V”, but we hear no more about who this mystery elder sister might have been. His elder brother, the future Edward VIII, is said to have been born in 1893 rather than in 1894, while the birth of the future George VI in 1895 is said to have taken place on the 35th anniversary of Prince Albert’s death in 1861.
The child born on the anniversary was named Albert and only later took the name George VI, which causes Williams to mix up Albert with his younger brother George. Of the third brother, Prince Henry, Duke of Gloucester, who seems to have been dull and has been called dim-witted, but was duty-conscious and hard-working, we learn the startling new fact that he “grew up to be as dishonest and greedy as the sons of George III”.
Queen Victoria’s daughters Louise (died 1939) and Beatrice (died 1944) would certainly have been surprised to learn that, at the time of Princess Elizabeth’s birth in 1926, their brother Arthur was “[the] last surviving child of Queen Victoria”. Perhaps the author has a soft spot for Prince Arthur, for he is also accorded the honour of having been wanted for Greek King in 1863, although it was in fact his brother Alfred the Greeks desired.
There were certainly much more than twenty reigning monarchs in Europe in 1895; Emperor Wilhelm II did not agree to abdicate on 9 November 1918 but was deposed against his will; Prince George did not marry “Princess Marina of Kent”, but Princess Marina of Greece, in 1934; it was Queen Mary’s grandparents, not her parents, who made a morganatic marriage; the Sudetenland and the Sudeten Germans are consistently called “Sudatenland” and “Sudaten”; Hitler committed suicide on 30 April 1945, not 1 May; King Haakon did not attend Prince Charles’s christening; Queen Mary did in fact not leave absolutely nothing in her will to the Queen Mother (who actually inherited several pieces of jewellery); Edward VII was not the grandfather, but the great-grandfather of Princess Margaret; and Queen Elizabeth II did not walk in her father’s funeral procession, which also did not take place on 16, but on 15, February 1952.
Prince Philip was not born second in line to the Greek throne and his grandfather did not come to the Greek throne in 1863 “after a long and bitter war for independence with the Ottoman Empire” (that was Otto of Bavaria three decades before). And when will British writers stop repeating the utter nonsense that Prince Philip, the son of a Greek father and a British mother, “was German”? The practice whereby one acquires the nationality of one’s brothers-in-law seems to be limited to the case of Prince Philip. But then again, Williams also wants us to believe that Queen Mary was indeed a German citizen and “might, theoretically, have qualified for interning [during World War II], had she not been too old”.
To claim that Princess Elizabeth was destined to be the “most powerful woman in Europe” surely grossly overestimates the powers of the constitutional monarch of Britain. On the other hand it is also quite surprising to learn on the penultimate page that the Commonwealth is currently breaking up (it has in fact more members than ever) and that Jamaica “has expressed its desire to depart”. Republican voices have indeed been heard in Jamaica recently, but this is not at all the same as leaving the Commonwealth.
Here we have Louis Mountbatten rather than his father resigning as First Sea Lord in 1914 and it seems the author wants us to believe that Winston Churchill resigned voluntarily at the end of World War II while he was in fact, rather surprisingly, ousted by a general election. When World War II comes to an end (Williams seem to think that it ended on VE Day, forgetting that the war outside Europe went on for several more months) the Princesses Elizabeth and Margaret suffers the sudden death the following Christmas of their nanny Clara Knight, who had by that time in fact already been dead for four years. By 1948, Williams has the Duke and Duchess of Windsor living serenely in Nottingham Cottage at Kensington Palace. And so on and so forth.
To add to this, titles are often wrong. Princess Mary is again and again referred to as “the Princess Royal” at times when the title still belonged to Princess Louise; Queen Mary is referred to as “the Queen” in the reign of George VI; Queen Elizabeth as “the Queen Mother” in the reign of her husband and Elizabeth II herself as “the Queen” on her wedding day, several years before the death of her father made her so. The wife of Edward VII fares worse; she is consistently referred to as “Princess Alexandra” in the reign of her husband.
There are also several contradictions. To name just one example, we learn that the Duke of Windsor was the only European royal not invited to the wedding of Princess Elizabeth and Prince Philip, but later hear that Prince Philip’s three surviving sisters were not invited either.
The author is surely the person primarily responsible for these failures, but the publishers also seem to have neglected their duty to ensure the quality of the books they offer for sale. The publishers are probably also the ones to blame for the decision not to include the endnotes in the book itself, but to relegate them to a website. This solution is surely worthless, unless the reader sits in front of his or her computer screen while reading the book. And given that no website lasts forever, this also means that those who may pick up this book in say twenty or two hundred years will most likely not be able to find the endnotes. But perhaps the publishers realised that this book will have a short life.
Of the vast amount of literature about Queen Elizabeth II of Britain, some books, such as Ben Pimlott’s biography The Queen (1996) and Robert Hardman’s Our Queen (2011), stand out because of their original and significant contributions to the understanding of the second longest reigning British monarch. Kate Williams’s Young Elizabeth, on the other hand, will take its place among the many insignificant and easily forgotten books about Elizabeth II.

Wednesday, 6 June 2012

New books: A stunning book on the British crown jewels

When Queen Elizabeth II of Britain recently visited Westminster Abbey she was shown the Coronation Chair, which was being restored, and remarked that she had not actually seen it since sitting in it on 2 June 1953. With Elizabeth II in the second half of her eighties, the Coronation Chair being restored is of course a sign of the fact that the next British coronation is approaching. Perhaps this is also the context in which one should see the publication of a two-volume, scholarly work on the British crown jewels in 2008 and now another book on the same topic aiming at a more general public.
The Crown Jewels by historian Anna Keay, who is curatorial director of English Heritage, was published by Thames & Hudson in cooperation with the Royal Collection and Historic Royal Palaces at the end of last year and is a stunningly beautiful book in its design and choice of high-quality illustrations.
They include many paintings showing the splendours of past state occasions, but also other historical illustrations as well as close-up photographs of the items in the crown jewels collection, whole pieces as well as details. A clever touch has been to bring together several items of regalia to be photographed together for comparison, for instance the crowns of Queens Alexandra, Mary and Elizabeth, or the Imperial State Crown from 1937 alongside the now empty frames of the state crowns from 1838 and 1714.
The well-written text takes the reader on a chronological journey through the history of British crown jewels and regalia, starting with the so-called “Mill Hill warrior”, the body of an Iron Age king dating to 200-150 BC who was found by archaeologists in 1988, wearing on his head the earliest known English crown.
Three chapters are dedicated to early English regalia, but it is a sad fact that the 12th century coronation spoon is the only medieval item in the collection. The other older crown jewels were melted down when the country became a republic following the execution of Charles I in 1649.
New regalia thus had to be made when his son Charles II was restored to the throne in 1660 and Keay points out how one was so keen to link these new regalia to their lost medieval predecessors that one recreated even pieces one did not know what were supposed to be used for.
Several pieces have been added also in the centuries following the restoration and they are all covered by this book. Sadly, several grand pieces are no longer in existence or survive simply as empty frames, such as the dazzling all-diamond crown commissioned by George IV for his coronation in 1821, which was set with hired jewels subsequently returned to the jeweller.
Other pieces have fallen into disuse, such as the crown made for James II’s wife, Mary of Modena, which William IV’s Queen Adelaide thought unsuitable for use. Every queen consort since then has had a new crown made for her, although Queen Mary had intended that the exquisite crown she had made in 1911 should be the permanent crown of queens consort. However, when it became clear that she intended to attend the coronation of her son George VI in 1937 and wear that crown (without its arches), a new crown had to be made for her daughter-in-law Elizabeth.
The book also deals with the items which are not strictly speaking regalia, but are kept with them in the Tower and thus counted as crown jewels, such as the splendid tableware used for the coronation banquets, baptismal fonts and other items intended for the royal chapels, processional swords and maces. Thus the book also serves as some sort of splendid catalogue of the items one will see on a visit to the Tower of London.
“While the Crown Jewels are unquestionably impressive in their own right [...] it is their use at great ceremonial occasions that gives them their real power. The objects in the collection were not designed to be viewed in the solitary splendour of a glass case, but to play in the ensemble orchestra of royal ritual”, the author observes on the penultimate page of the book. My only objection to this book is precisely that it does not say much about the actual use of the crown jewels.
For instance, Keay does note that St Edward’s crown, until then used for the actual crowning but replaced with the state crown before the monarch left the Abbey, ceased to be used by the early eighteenth century, a practice which was only revived by George V in 1911. But otherwise we hear little about the regalia’s use for other occasions than coronations.
My first “personal acquaintance” with the British regalia was seeing the crown of Queen Elizabeth the Queen Mother resting on top of her coffin at her lying-in-state in Westminster Hall. But although Keay tells us that St Edward’s crown was placed on the coffin of Edward VII, Queen Victoria’s small diamond crown on hers and a replica of the state crown on Charles II’s the reader is left to wonder if crowns being placed on royal coffins have been a common practice and if so for how long.
Similarly one may wonder how old the tradition of wearing the crown at state openings of parliament is. The current practice dates only to George V and 1913, but was this the invention of a tradition or had crowns been worn to Parliament by earlier monarchs?
A more thorough treatment of the use of the regalia than just a word here and there would have served to bring the regalia to life, so to speak, and also give a fuller picture of their symbolical and ceremonial meaning.

Sunday, 29 January 2012

New books: Europe’s lost states

History books are full of states which no longer exist. Now some of these states have gotten a book of their own: Norman Davies’s Vanished Kingdoms: The History of Half-Forgotten Europe, which was published by Allen Lane last autumn.
It is, obviously, a vast subject and Davies, an historian known for books such as Europe: A History, Europe at War, The Isles: A History and God’s Playground: A History of Poland, has had to restrict his book of 830 pages to some of those vanished states. Each chapter begins with a visit to a present-day remnant of the relevant state, followed by the history of its rise and fall and an epilogue on its afterlife. The time span stretches from the fifth century to the present.
Among the states included are Aragon, the many Burgundian states, the Commonwealth of Poland-Lithuania, Prussia, Savoy, Montenegro, Galicia, Etruria, Saxe-Coburg-Gotha, the USSR and Ireland. Some of the states included, such as the Byzantine Empire, existed for a very long time, others only very briefly, such as the Republic of Carpatho-Ukraine, which lived for a single day in 1939.
Thus the book covers a wide range of European history, but it is also quite uneven. Most of it is well-written and ought to be easily accessible also for those who are not themselves historians, but some chapters are not as clear as one would wish for. It is hard to get through the chapter on the ancient Scottish “Kingdom of the Rock” and while struggling through one often wonders where the author is actually heading.
Other chapters offer clear and concise analyses of the emergence and disappearance of states, and the most successful chapters also offer some fresh perspectives. Sometimes these set the spotlight upon a lesser known part of history, such as the chapter on the Kingdom of Etruria (and the Napoleonic Grand Duchy of Tuscany), which charts the oft-overlooked history of Florence during the revolutionary and Napoleonic age.
Some of author’s choices of states to include in the book may seem surprising, but mostly one finds that there is a good reason behind it. One example is Montenegro, which does indeed exist as a state today, but which was alone among the victorious allies in disappearing from the map following World War I, something which happened in a rather dubious way.
If one wonders why Ireland is included in the book, one will eventually find that Davies considers the history of Ireland’s struggle against the British crown as simply the first part of the ongoing and, in his view, inevitable dissolution of the United Kingdom. The developments concerning a referendum on Scottish independence since the book was published have thus only made it more relevant to the present.
Its diversity is one of the book’s strengths, but also one of its weaknesses. With such a vast subject one can hardly avoid finding some mistakes, but more disturbing than this is the fact that several of the genealogical tables, which one may assume have been included to help the reader keep track of the people and relationship which have influenced the rise and fall of these states, are so flawed that they are in fact useless.
The two rival Serbian royal families, Obrenovic and Karadjordjevic, are for instance presented as one big family; King Petar I (of the House of Karadjordjevic) is in fact shown to be the son of King Aleksandar and Queen Drage (of the House of Obrenovic), whose assassination in 1903 brought him to the throne. Students of the First Empire will also be surprised to learn that Empress Joséphine’s first husband was not Alexandre de Beauharnais, but his brother, and even more astonished to find out that she and Napoléon did in fact have a son.
The book is a tour de force through some of those vanished European states which most people do not normally spare a thought for. It ends beautifully with William Wordsworth’s 1802 poem “On the Extinction of the Venetian Republic”, concluding: “Men are we, and must grieve when even the Shade / Of that which once was great is passed away”.

Tuesday, 10 January 2012

New book: Elizabeth II and her times

Among the books on Queen Elizabeth II of Britain published ahead of her upcoming diamond jubilee is Queen Elizabeth II: Her Life in Our Times, a study by Sarah Bradford, whose many books includes Elizabeth: A Biography of Her Majesty the Queen (1996). Bradford is currently writing a biography of Queen Victoria of Britain, but has taken time off that project to produce another volume on her great-great-granddaughter. Her new book is considerably shorter than the 1996 biography and aims to see Elizabeth II in the context of the times in which she has lived. However, I am afraid I cannot say that Bradford has succeeded in that.
Bradford calls herself a historian, but has stated that she never completed her degree as she, in another world, broke off her studies in order to marry. The book bears the marks of this, as Bradford’s concept of history seems to be a record of events, not an analysis of developments.
The author tells the story of Queen Elizabeth’s life from its beginning until today, although the fifteen years after the publication of Bradford’s first biography of her are dealt with rather summarily. There is little new material and no new revelations, but Bradford has made good use of biographies, memoirs and diaries of some of the central politicians of the long reign of Elizabeth II, who the author describes as “politically, the first passive sovereign”.
But the supposed context of “our times” is often reduced simply to lists of memorable events which happened during those years a certain chapter deals with, such as one chapter which ends: “The fun was definitely over: in Asia the bombing of North Vietnam escalated with Johnson’s Operation Rolling Thunder, and Chairman Mao initiated his deadly Cultural Revolution. In the Middle East in June 1967 the Israelis rolled over the Egyptians in the Sinai, capturing the West Bank and Arab East Jerusalem and taking over control of thousands of Palestinians. The next year, 1968, was a terrible year of the United States, with the assassination of Martin Luther King in April and Robert Kennedy in June; [and so on]”.
Such lists of events read like one of those news summaries which the media like to publish at the end of a year or a decade. What was the significance or influence, if any, of these events on Queen Elizabeth or the British monarchy, one may ask, but the author provides no answers. The result is that the Queen and the historical events of her lifetime are both seen isolated and not in context.
Authors of other recent books on Elizabeth II have addressed some of the key changes to the monarchy in the current reign, but Bradford passes this over. This gives the impression that the British monarchy just happens to have survived without much thought being given to how to make it relevant to changing times and circumstances.
We now seems to have reached the stage where serious authors of serious books may allow themselves to end the book, as Sarah Bradford does, by nothing less than exclaiming “God save the Queen”. Yet Bradford is not entirely uncritical; for instance, she notes that Queen Elizabeth “consistently and temperamentally has failed to prohibit her children from doing what they wanted and has reaped the consequences”.
It also detracts from the overall impression of the book that there are quite a lot of factual mistakes. Dates, years and ages are very often incorrect and the author frequently gets other facts wrong as well. To name a handful of examples George VI’s funeral took place on 15 February 1952, not the 16th; King Haakon VII of Norway did not seek exile in England in April 1940, but only when the campaign in Norway ended two months later; Franklin D. Roosevelt did not die on 27 April 1945, but on the 12th, and thus not the day before Mussolini was captured; George V’s Indian durbar took place in 1911, not in 1912; Lady Diana Spencer was not twenty in July 1980; Tony Blair, who is born in 1953, was indeed “not quite fifty-six” when becoming Prime Minister in 1997, but twelve years younger; and the Queen Mother’s 100th birthday was not the last time she appeared on the balcony of Buckingham Palace.
The idea that “Prince Philip of Schleswig-Holstein-Sonderburg-Glucksburg [sic] was not, as the satirists later dubbed him, ‘Phil the Greek’, but ‘Phil the German’” is certainly nonsense. For one thing he was Prince of Greece and Denmark and not of Schleswig-Holstein-Sonderburg-Glücksburg, and furthermore his Danish family was notoriously anti-German while his mother was born at Windsor Castle and the daughter of a British subject. The fact that his sisters all married Germans does not make Prince Philip himself German.
Despite all these reservations it ought to be said that the book is well-written and can probably be read as an introduction to the life of Elizabeth II by those unfamiliar with the subject, but other books provide more insight. Sarah Bradford is the author of three good biographies of members of the British royal family: George VI (1989), Elizabeth (1996) and Diana (2006). Thus it is even more unfortunate that her latest book appears to be a left-hand work, written in a hurry and based on earlier works, while the author has had her mind on another project.

Sunday, 8 January 2012

New books: A political biography of Elizabeth II

The diamond jubilee of Queen Elizabeth II of Britain has, unsurprisingly, inspired several books on the aging monarch, among them The Diamond Queen: Elizabeth II and Her People by Andrew Marr, one of Britain’s best-known political journalists and host of a Sunday morning political talk show on BBC 1.
Marr’s book, which was published by Macmillan in October, is to a great extent a political biography of the British Queen. His stated aim is to “tell her life story, looking at the influences on her, and trying to explain why she does what she does”. This is done in a mostly chronological way, but the chronology is interspersed with short topical chapters.
The first quarter of the book deals with Queen Elizabeth’s life before her accession and the people the author thinks has had the greatest influence upon her, but also with the “remaking” of the British monarchy in the reigns of George V and George VI. However, this story is very familiar from other books and Marr adds no new insights. He also overdoes things a bit when he insists that Elizabeth II is “only the fourth monarch of a fairly new dynasty”, when in fact the dynasty has been the same since 1714 although its name has changed along the way.
The reign of George V saw several important reforms which strengthened the monarchy and widened its scope. Marr argues that “the House of Windsor has seen an unusually direct transmission of ideas and behaviour from its origin in 1917 through grandfather, father and daughter”. Most specifically this refers to the aim stated by George V’s Private Secretary, Lord Stamfordham, namely to “endeavour to induce the thinking working classes, socialist and others, to regard the Crown, not as a mere figurehead and an institution which, as they put it, ‘don’t count’, but as a living power for good ... affecting the interests and well-being of all classes”. This is indeed an idea which has been central also to the reign of Elizabeth II, but it ought to be said that her sixty years on the throne have also been hugely transformative.
The remaining 300 pages of the book deal with the reign, with a particular emphasis on the monarchy’s place in society and its relations to politics. The latter topic was well covered in the late Ben Pimlott’s excellent biography of Elizabeth II (first published 1996, updated edition 2002) and again Marr does not really have much original to add. It also seems that, apart from some interviews, he bases what he writes mostly on published material.
The story of the reign and its ups and downs is told in a well-written, accessible prose, but the longer lines are sometimes hard to find. As such another new book on the same monarch, written by another journalist, Robert Hardman’s Our Queen, is both clearer and more insightful.
Occasionally Marr seems to be too fond of the fancy sound bite, as when he quotes an anonymous source saying that Private Secretary is “the only appointment in the Royal Household that really matters a damn”. That this is nonsense is made clear from what he subsequently writes about the crucial role the Earl of Airlie as Lord Chamberlain played in thoroughly changing the way the monarchy is funded, which leads Marr to quote another anonymous source describing Airlie’s “importance as rivalling that of Prince Albert for the Victoria monarchy”.
“To a degree that has never been fully understood, they privatized the Queen”, Marr writes about Airlie and his team. Had these reforms not been underway at the time the reign reached its nadir around 1992, “the year of disasters could have led to a downward spiral in the Queen’s story – not the end of the British monarchy, but its radical diminishing”. But this quiet revolution is again more thoroughly and conclusively dealt with by Robert Hardman in his book.
“The Queen has been Queen of a nation in decline, and many would say her greatest achievement has been to soften and humanize that inevitable process”, Marr acknowledges. If he is at some stage critical of his monarch it seems to be in relation to how her beloved Commonwealth has “pragmatically accepted some brutal and undemocratic regimes rather than lose members”.
While stressing that the book is not authorised, Marr states in the preface that the manuscript has “been read by the Palace to correct errors of fact”, which leaves one with the impression that the both Marr and the Palace are weak on facts. To mention just a few of many factual errors the future Queen had no fiancé in 1948, George VI had never been Prince of Wales, Queen Mary did not just live to see the coronation of 1953, Prince Philip does not undertake state visits on his own and Princess Margaret did not live “with her mother at Kensington Palace”.
One is also left wondering how the Queen at the time Britain joined the EEC in 1973 may have “reflected that the Swedish, Dutch and Danish monarchies had managed perfectly well in the new bloc, never mind the reviving Spanish monarchy”, given that Denmark joined at the same time, Spain in 1986 and Sweden only in 1995.
Andrew Marr’s book adds little to our knowledge or understanding of the British monarchy under Elizabeth II, but may well be useful as an introductory read.

Friday, 6 January 2012

New books: Elizabeth II and her court

The literature on Queen Elizabeth II of Britain is enormous already in her lifetime, but the journalist Robert Hardman’s new book Our Queen, published by Hutchinson in September, is one of the most insightful so far. However, its title is somewhat misleading, as it is not so much a book about Queen Elizabeth herself as a book about the British monarchy and its workings in what will inevitably be the final decades of her reign. The title of the American edition, Her Majesty: Elizabeth II and Her Court, is perhaps more fitting.
While great jubilees often cause writers to present the era in question as one glorious triumph, Hardman is more realistic. He argues that the reign of Elizabeth II has “consisted of three episodes of sustained success and two periods of recurring difficulty”. He considers that some 2/3 of the reign should be considered “contended”, but that the 23 years of the remaining third to some extent could be described as “troubled”.
And while the statement that Queen Elizabeth “has never put a foot wrong” seems to be a favourite cliché of royal writers at this stage of her reign, Hardman observes that she actually has, although only rarely. The slow response to the Aberfan mining disaster of 1966 and the royal family’s absence in the aftermath of the Lockerbie bombing in 1988 stand out as examples. According to Hardman, Queen Elizabeth has herself acknowledged to her advisers that she got it wrong on those occasions.
But this is not a book on her entire reign. The focus is set on the last twenty or twenty-five years, which have been an age of transformation for the British monarchy. Hardman has obviously benefited greatly from being granted access to some key players during those years, among them family members such as the Duke of Cambridge, politicians such as David Cameron and Tony Blair (interestingly, the latter highlights the Queen’s “total ability to pick up the public mood”), and courtiers who have been close to the crucial events of these years.
Among the latter category, Hardman points to the 13th Earl of Airlie, who was appointed Lord Chamberlain in 1984, as one who will stand out on the list of those he rather romantically calls the “New Elizabethans”. Lord Airlie had “greater impact on the mechanics of the monarchy than almost anyone since Prince Albert”, the author states and goes on to argue his point by charting how he set out to reform the way the monarchy was run and in particular how it was funded.
While the Queen “liked the status quo”, she gave Lord Airlie the permission he needed to go through with these changes while “the Queen Mother was continuing her guerrilla war against the modernisers from within her Clarence House redoubt”. Thus the monarchy was better equipped than what has been generally assumed to handle the momentous challenges of the 1990s, a decade which certainly ranks among the troubled times of the reign.
A major reorientation has occurred along the lines of the 1992 book Elizabeth R: The Role of the Monarchy Today, where Sir Antony Jay (of “Yes, Minister” fame) stressed the monarch’s role as “head of the nation” as at least equally important as the role as head of state. That role involves the duties “concerned with behaviour, values and standards; the ones which earn the respect, loyalty and pride of the people”, Jay wrote. According to Hardman, this was “a definition which has since helped to shape the entire way the Palace goes about its business”.
Since then the death of the Queen Mother has also meant that her daughter is no longer caught in some sort of limbo between the old and the young generations, but has herself taken on the mantle as “mother of the nation” with all that goes with such a conception. Thus her mother’s death has actually made her life in public easier, a courtier argues.
The death of the Queen Mother and the golden jubilee in 2002 marked a watershed, a courtier says: “Up until then, it felt like a reign of two halves – Act One: good, Act Two: bad. Then, suddenly, we were into Act Three”.
“For all her instinctive conservatism, this sovereign has steered the monarchy through more transition than any in modern times”, Hardman writes. He is of the opinion that the British monarchy “has actually changed more in the last twenty-five years than in the previous one hundred and twenty-five”. This is obviously not solely Elizabeth II’s achievement, but would, also obviously, hardly have happened if she had been unwilling to go along. “She is actually more open to new ideas now than ten, twenty or thirty years ago”, says one senior official.
Hardman’s account generally seems even and fair, but occasionally he goes overboard. As in the first sentence of the book, where he argues that “[w]hen the world comes to look back on the early twenty-first century, two events in Britain – just weeks apart – will be lodged in the collective memory”, i.e. the diamond jubilee and the London Olympics, which is surely to overestimate the impact on the rest of the world, or when he argues that Prince Philip should be considered for the Nobel Peace Prize.
Hardman has previously done the BBC television series “Monarchy: The Royal Family at Work” and parts of the book are clearly influenced by this in the way that the readers are served many “behind the scenes accounts” of how foreign tours, public engagements, state visits et al are organised. This is a bit long-winded and as this topic has been thoroughly dealt with by the TV series, the book which accompanied it and also by other television series, it might perhaps have been cut somewhat in this book.
Another note of criticism might be that Hardman, like many British authors, gets caught by the impossibility of reconciling the notion that Britain is superior to most other countries (if not all) with the idea that simplicity is something exclusively British. Thus the story of how the Queen’s car broke down during an official engagement: “With certain heads of state, there would be panic stations, much yelling into electronic cuffs, a public inquiry and high-level redundancy”. Problems sorted out, “off she goes in a convoy of two cars and one police outrider – the sort of modest motorcade which might be laid on for, say, a middle-ranking trade minister from the European Union” – or, in fact, most non-executive heads of state on an ordinary day. The fact that David Cameron’s car had to stop for red lights on his way to Buckingham Palace when he was to be asked to form a government is apparently considered something essentially British, with Cameron himself chiming in to say that “[t]here’s no other country in the world which has this sort of changeover”, which is far from true.
A rather large part of the book is dedicated to the Royal Household, which Hardman argues has seen “a shift in management culture away from the gentleman amateur to unisex professionalism”. However, his account of the Royal Household is so enthusiastic that one feels that everything cannot possibly be that marvellous. And when he enthuses that there are a housekeeping assistant “with a 2:1 degree in physics from [...] St Andrews” and a footman who is “a graduate in aeronautical engineering from one of Britain’s top universities” and that such things are quite common one wonders if it is really a good thing that people are holding jobs for which they are grossly overqualified.
One department which has been particularly successfully reorganised is the Royal Collection, in recent years transformed “from a dusty curatorship into a self-financing, world-class assembly of great treasures employing hundreds and viewed by millions”. Its director, Jonathan Marsden, argues that “[i]n terms of access and conservation, this reign has been a high point in the history of the collection. It will be seen as [as] significant as that of Queen Victoria”. Thus the modernised Royal Collection “will be one of the Queen’s greatest legacies”. This is a rather surprising conclusion about a monarch who is not really known for her appreciation of fine arts, but it does speak of a professionalism extending outside the areas of the monarch’s personal interests.
So what is her greatest achievement personally? Somewhat surprisingly Hardman suggests that it might be Britain’s development into a multicultural society, which the author argues that she has not only observed, but been part of.

Thursday, 5 January 2012

Book news: Some royal books expected in 2012

As usual I will begin the new year with a survey of some of the books due to be published this year. The royal weddings and jubilees of 2010 and 2011 helped make those two years unusually rich on the book front, but 2012 also has some jubilees and related books to offer.
First out is Queen Margrethe II of Denmark’s jubilee next week. The museums at Amalienborg and Frederiksborg will both host exhibitions to mark her forty years on the throne and the former will focus on the Queen’s dresses. To accompany the exhibition Katia Johansen, who has for many years been a curator at the Royal Collections, has written Dronningens kjoler, which will be out next week.
The recent TV show on royal jewels is expected to result in a book to be published by Lindhardt og Ringhof in April, titled De kongelige juveler, written by Anna von Lowzow and Bjarne Steen Jensen. Anna von Lowzow is identical with Anna Lerche, a filmmaker at Nordisk Film who some may remember for her work on the A Royal Family series and book nearly ten years ago, while Bjarne Steen Jensen considers himself a jewellery expert and is the author of the not very reliable Juvelerne i det danske kongehus.
While Queen Margrethe celebrates her forty years on the throne, her third cousin Queen Elizabeth II of Britain will on 6 February be able to mark the sixtieth anniversary of her accession. Several books have already been published to mark the diamond jubilee – among them books by Robert Hardman, Andrew Marr and Sarah Bradford, of which I will post reviews in the foreseeable future – and on Tuesday Sally Bedell Smith, author of several well-received biographies, will join the rank of Elizabeth II biographers with her Elizabeth the Queen: The Life of a Modern Monarch, of nearly 700 pages, to be published by Penguin.
The British historian Kate Williams’s contribution to the jubilee is Young Elizabeth: The Making of Our Queen, to be published by Weidenfeld & Nicolson on 12 April. I suppose this slim volume (208 pages) may be considered some sort of sequel to Williams’s similar book on Queen Victoria of Britain.
This will, by the way, not be Williams’s only book this year; in June her biography of the Empress Joséphine of the French, Mistress of Empires: The Extraordinary Life of Josephine Bonaparte, will be published by Hutchinson.
February will also see the 75th birthday of King Harald V of Norway, on which occasion the National Museum will open the first of their six exhibitions based on the Royal Collections. The exhibitions will be accompanied by a sumptuous book titled Arv og tradisjon – De kongelige samlinger, which will be published by Orfeus and contain contributions by Tor Bomann-Larsen, Per Egil Hegge, Nina Høye, Ingeborg Anna Lønning, Knut Ljøgodt, Widar Halén, Bjørn Høie, Knut Ormhaug, Jan Haug, Sven Gj. Gjeruldsen and myself.
Also on the occasion of the King’s 75th birthday Dag Erik Pedersens has written Idrettskongen, an authorised book on the King’s interest in sports, which will be published by Gyldendal. The Queen will turn 75 in July and in the autumn Gyldendal will publish the much-awaited authorised biography of her, written by Ingar Sletten Kolloen.
The 150th anniversary of the death of Prince Consort Albert of Britain in December 1861 was recently commemorated by a conference on male consorts in history and I hear that this conference will result in a book. Meanwhile I. B. Tauris has published two biographies of such consorts, namely Jules Stewart’s Albert: A Life and Harry Kelsey’s Philip of Spain, King of England: The Forgotten Sovereign. Although both these books bear the date 2012 they did actually go on sale before Christmas.
Another British book expected this year is Jane Ridley’s Bertie: A Biography of Edward VII, which has been postponed at least twice.

Wednesday, 14 December 2011

New books: Prince Albert’s death and its impact

Today marks the 150th anniversary of the death of Albert, Prince Consort of Britain, on 14 December 1861, which the British author Helen Rappaport has made the topic of her new book Magnificent Obsession: Victoria, Albert and the Death that Changed the Monarchy, published by Hutchinson. The story is very well-known, but Rappaport’s book is well-written and she has used some less familiar sources to add some new voices to the story.
The opening scene is the happy Christmas of 1860, which was celebrated at Windsor Castle, a place, Rappaport reminds us, which Queen Victoria, despite how it is often associated with her, did not much care for. This makes for a sharp contrast to the gloom of the following Christmas, by which time Prince Albert was dead. Rappaport subscribes to the theory that Prince Albert got Queen Victoria on to the track of constitutional, politically un-biased monarchy, and shows to what great extent the Queen relied on her husband.
A significant event occurring between Christmas 1860 and Christmas 1861 was the death of Queen Victoria’s mother, the Duchess of Kent. Since her accession in 1837, Victoria had kept her mother at an arm-length’s distance, but when going through her belongings the Queen realised the extent of her mother’s love for her. Victoria threw herself into an extravagant grief, in which she seems to have found some sort of pleasure. She noted with relish how she was complimented on “the manner in which I have shown my grief” and stated quite openly that “I do not wish to feel better”. Victoria’s almost theatrical grief for her mother and the way she wallowed in it was obviously re-played, but on a much grander scale, after Prince Albert died later that year.
The story of Prince Albert’s illness and death in December 1861 is told in great detail, perhaps a bit too long-winded. More interesting is the account of the overwhelming public reaction to the Prince Consort’s death, which is followed by the story of Queen Victoria’s posthumous idolisation of her late husband, the cult created around his memory, her withdrawal from public life and the dangers this posed for the monarchy. This is again a story very well-known to anyone familiar with the history of the British monarchy in the nineteenth century, but Rappaport presents it well.
She also exposes Queen Victoria’s self-centred egotism and the way in which she was perfectly capable of doing what she really wanted, but when she did not want to do something she got her loyal (perhaps too loyal) physician to back up her claims that the fulfilment of her duty would pose a danger to her health. The author also shows how the Queen’s private secretaries were perfectly aware that she did not work as hard on the official papers as she tried to make people believe. Indeed, the more one reads about Queen Victoria the harder it is to like her.
While attempting to explain what caused Victoria’s extravagant mourning for her husband, it seems to me that the author misses out on one point, which again draws a parallel to the death of her mother. “Victoria was always there ready to adore him, to hang on to his every word, his every kiss, to praise unstintingly and monopolise his time, but Albert was tiring of her relentless, cloying admiration and her never-ending emotional hunger”, Rappaport writes about the relationship between wife and husband.
But what goes unmentioned is the fact that Victoria did not always treat her husband very well, indeed her at times irrational behaviour towards him seems to have tormented him. To lose the one she loved and realising that she had not been particularly kind to him when he was alive may well have caused a feeling of guilt and a desire to try to make it up to him by excessive displays of grief and idolisation.
The book disintegrates somewhat towards the end, where the author rather briefly sums up the remaining decades of Queen Victoria’s life before returning to Christmas 1878, when her second eldest daughter, Grand Duchess Alice, died on the seventeenth anniversary of the father she had nursed, and then moving on to a chapter where the author challenges the oft-repeated story that the Prince Consort died from typhoid fever and argues that the cause of death was most likely Crohn’s disease.
The appendix on what Prince Albert died from would have worked better if it had been inserted into its natural chronological place in the book. Particularly given the emphasis put on the Prince of Wales’s near-death experience from typhoid fever on the tenth anniversary of his father’s death it would have been better if the reader had already then been told that the author does not believe that the illness which afflicted the Prince of Wales was the same that killed his father.
The book might have benefited from a more thorough fact check. Queen Victoria was forty-two, not forty-three, when her husband died; Prince Arthur was at that time eleven and not ten. The bride chosen for the Prince of Wales was not Princess of Schleswig-Holstein-Sonderburg-Glücksburg, but of Denmark; Princess Mary Adelaide, Duchess of Teck is erroneously demoted to “Princess Mary Adelaide of Teck”; there was no French “Emperor Louis Napoleon”, but an Emperor Napoléon III; the author continues to refer to “Princess Alice” even after she had become Grand Duchess; and the King of Sweden and of Norway is erroneously referred to as King of only one of these two countries when he, again erroneously, is said to have visited “the Swedish legation”. The titles of the British nobility also seem to be a mystery to the author; the same person cannot be both Lady Augusta Bruce and Lady Bruce, Lady Jane Churchill and Lady Churchill, Lord John Russell and Lord Russell, and so on.
Despite these reservations the overall impression is that Helen Rappaport has produced a readable account of the well-known story of Prince Albert’s death and its consequences.

Tuesday, 13 December 2011

New books: Napoléon, his age and his ideas

Given that there are literally hundreds of thousands of books on Napoléon I, I generally wonder each time a new one appears what is its purpose. Many of them are obviously superfluous, but Alan Forrest’s recent book Napoleon, published by Quercus, stands out as one which is worth reading.
Forrest is professor of modern history at the University of York and may be considered one of the leading British scholars on the revolutionary and Napoleonic epochs in French history. He repeatedly states his initial reluctance to make the transition from writing social history of the revolution to a biography of Napoléon and this also influences the book, but in a good way.
If there are individuals who defined their age in such a way that their biography and the history of their era are virtually the same thing, Napoléon is obviously one of the best examples. Forrest’s book thus combines the story of Napoléon’s life with the history of France and Europe during that half-century.
The story is framed by chapters on the late Emperor’s reburial in Paris in 1840 at the beginning and his “life after death” at the end. There is less about his personal life than in many other biographies and Forrest generally avoids the lengthy accounts of campaigns and battles with which some of Napoléon’s biographers try their readers’ patience.
On the other hand Professor Forrest is particularly strong on the ideas that shaped Napoléon and his age and on the system which Napoléon created. The book is mercifully not part of the propaganda war which many of Napoléon’s biographers, perhaps in particular the British ones, still seem to be fighting. Indeed Forrest’s book is neither laudatory nor vindictive, but rather critical in the best meaning of that word and the author gives credit where he thinks credit is due and criticises what he thinks deserves to be criticised.
The book is entirely based on secondary sources and there are no new revelations to be found in this book (indeed it is by now hardly possible to find unknown primary sources), but Alan Forrest’s interpretation of the man and the age and his clear analyses make for one of the most interesting books on Napoléon to be published in recent years.

Saturday, 19 November 2011

New books: The iconography of Elizabeth II

The diamond jubilee of Queen Elizabeth II of Britain is approaching and to mark the occasion the National Portrait Gallery is, as previously mentioned, holding a travelling exhibition titled “The Queen: Art & Image”. Having already been shown in Edinburgh, it is now in Belfast and will go to Cardiff before ending up in London from 17 May to 21 October.
David Moorhouse, the NPG’s curator of twentieth century portraits, has put together the catalogue of the same name, which begins with an essay of historical reflections on the reign of Elizabeth II by the renowned historian Sir David Cannadine. The story of Britain and the British monarchy in the days of Elizabeth II is in many ways the story of recessional, Professor Cannadine argues.
It is also a story of great change, and he points out that Britain and its “imperial-ornamental” monarchy as they were at the outset of Elizabeth II’s reign might have been fairly easily recognisable to the old Queen Victoria. The “most pronounced themes” of Elizabeth II’s sixty years are “the de-Victorianisation and the downsizing of Britain and its empire, and also of the British monarchy”.
Cannadine also touches upon how the image of Queen Elizabeth, “probably the most visually depicted and represented individual ever to have existed across the entire span of human history”, has evolved and how the way the constitutional monarchy has developed makes it “in many ways a feminised monarchy”, which again “makes it easier for a regnant queen to be sympathetically portrayed than a mere dignified king”.
But the image and perception of the Queen is mostly dealt with by Paul Moorhouse in the book’s second essay. Moorhouse argues that the sixty years of Elizabeth II’s reign has seen “a revolution in the way the Queen is represented and perceived”. He divides these sixty years into three eras:
The period from 1952 to the mid-1960s “reflects a concern with the young Queen’s appearance”; the era from the late 1960s to the early 1980s “demonstrates a new concern with reinventing the sovereign’s public image”; while era consisting of the last thirty years “manifests and ongoing engagement with the questions of what the Queen represents”.
The first era saw a certain interest in the new monarch’s youth, beauty and glamour, but as public interest faded and the early “sense of glamour” was “replaced by something more dependable” one had to find new ways. That way was not to project “an image of special status”, but to make the Queen seem more down-to-earth. Moorhouse pins this down to 1968-1969, when “[s]tiff formality was replaced with a renewed emphasis on the Queen’s qualities as a human being”. This led to the groundbreaking 1969 television documentary on the royal family, which has subsequently been criticised for making the royals appear too ordinary and breaking down the barriers between public and private life.
One of the most interesting aspects of the catalogue is that it does not focus on painted portraits alone, but on a diverse range of media. Another new book on Queen Elizabeth states that she has sat for more than 140 portraits, but obviously press photographs have been more influential in shaping the public conception of Elizabeth II than have painted portraits. And then there are other media, such as formal photographs, video/television and the portraits which she has not sat for. The only art form missing from the catalogue is sculpture, with no explanation given for this.
With such a wide range of images to choose from the curator has probably had to make some tough choices. But the final selection is interesting and represents a cross-section of images of Elizabeth II through sixty years. Viewing them together furthermore makes apparent the connections across art form and time, for instance how Pietro Annigoni’s painting from 1954-1955 is obviously related to a formal Cecil Beaton photograph from 1968 and how Annigoni’s portrait and a second one done in 1969 “meet” in Annie Leibovitz’s 2007 photo.
Having read the catalogue with interest I look forward to seeing the exhibition.

Monday, 10 October 2011

New books: A millennium of English royal weddings

Ahead of the wedding of Prince William of Britain and Catherine Middleton the historians Alison Weir, Kate Williams and Tracy Borman and the journalist Sarah Gristwood teamed up to write the book The Ring and the Crowns, which sets out to chart the history of British (i.e. English) royal weddings since 1066.
The book is divided into four parts, each written by one of the authors. Alison Weir is responsible for the first chapter, which takes the story from 1066 to 1714. Hers is by far the longest period of time, but this is a challenge she takes in her stride. Obviously she can impossibly recount every single English royal wedding over 650 years in forty pages, but her choices about what to include and what to exclude seem wise. Weir also manages to paint a wider picture and draw some longer lines, something which cannot be said about all the authors of this book.
The second part, covering the years 1714-1918, is written by Kate Williams and has been give the odd title “Pomp and Circumstance”. The choice of title is peculiar as this was the era in which royal weddings, as Williams acknowledges, generally took place rather privately and without the pomp and circumstance which only in the twentieth century came to be associated with them.
Williams’s contribution is the weakest part of this book. The chapter is well-written enough and she is on sure ground when writing about the marriages of Princess Charlotte of Wales and Queen Victoria, which is familiar ground for the author of the book Becoming Victoria (2008), but otherwise she makes a number of grave errors throughout.
The wife of Prince Frederick, Duke of York is said to be the “only daughter of King Frederick II of Prussia”, although it ought to be fairly well-known that “Frederick the Great” had no children. She forgets the future James II and Anne Hyde when she claims that no royal had married a subject between 1515 and 1871, she claims that the marriage of Prince Alfred, Duke of Edinburgh and Grand Duchess Maria Alexandrovna of Russia in St Petersburg in 1874 was conducted by the Duke of Westminster (!), she lets the future Edward VII be accompanied by three sons rather than two to the wedding of one of his sisters, the painter Laurits Tuxen becomes “Tucman” and the Grand Duchess of Mecklenburg-Strelitz becomes the maternal grandmother of Queen Mary rather than her aunt.
When she reaches the royal wedding of 1896, she claims that Princess Maud married Prince Christian of Denmark, although she did in fact marry his brother Prince Carl. She goes on to relate how “Prince Christian” “in late 1906 [...] was chosen by a committee of the Norwegian government to become King Haakon VII of Norway”. This took place in 1905 and Prince Carl was in fact elected by Parliament unanimously after winning 79 % of the votes in a referendum. A plethora of such mistakes indicates either carelessness or lack of knowledge.
Sarah Gristwood picks up the story in 1919, when Princess Patricia’s wedding in Westminster Abbey was the first grand public affair of the sort we have become used to, and takes it through to the wedding of Princess Margaret in 1960. This was the age when the royal wedding became “the embodiment of the national fairy story”, Gristwood observes. What one might wish for in this chapter are some reflections on why this was the case, perhaps particularly which role the media played in it, and the crucial developments which meant that the nature of royal marriages changed fundamentally at this time (i.e. that World War I had made it clear that dynastic marriages was of little significance for international diplomacy and that marriages to non-royals consequently become more common). What Gristwood provides the reader instead is mostly a description of each individual wedding.
The final part, by Tracy Borman, covers the weddings from 1961 to 2005, with only that of the then Prince Richard of Gloucester passed over for some unexplained reason. I am somewhat puzzled by the authors’ (or editor’s?) choice to let Gristwood’s chapter end in 1960 and Borman’s begin in 1961, as it appears more natural to consider the wedding of Princess Margaret in 1960 together with the other royal weddings of the 1960s. The line dividing the two chapters would probably have been better drawn in 1947, after which there were no further royal weddings for thirteen years.
Borman reflects how the 1980s “had witnessed an apotheosis of royal weddings”, but centring around ill-fatted marriages. In reaction to these grand weddings ending in disaster, “[a] quieter, more understated tone was called for, and this was exactly what the following two occasions achieved”. However, these two occasions were the weddings of Princess Margaret’s children, whose low profiles are probably better explained by the simple fact that these were not royal weddings, but the weddings of private citizens whose mother happened to be a princess.
The book is richly illustrated throughout, but one might occasionally wish for more information about some of the illustrations. The artist’s name is not always given, nor is one always informed about whether the illustration is contemporary or not. The book offers its readers an accessible but not always entirely reliable survey of how English royal weddings have been conducted through the centuries, but regrettably little on the external circumstances which shaped them.