Saturday, 14 November 2009

What to see: The Széchenyi Chain Bridge, Budapest







Among the bridges crossing the Danube from Buda to Pest, the Széchenyi Chain Bridge, or Széchenyi-lánchid, is perhaps the better-known landmark of the Hungarian capital. The first permanent bridge linking the two then separate cities, it was built between 1839-1849 after an initiative by Count István Széchenyi, who is considered one of the greatest statesmen and reformers in Hungarian history.
The bridge was designed by the Englishman William Tierney Clark and built by the Scot Adam Clark (no relation). With its length of 380 metres it was considered a major feat of engineering at the time. Like all the other bridges across the Danube, the Chain Bridge was destroyed during World War II and faithfully rebuilt after the end of the war. The lions guarding the bridgeheads at either side are by the sculptor János Marschalkó.
Close to the bridge are famous buildings such as the Royal Palace (now the Hungarian National Gallery), seen in the first and third photos; the Parliament (the largest such building on the continent), seen in the second picture; and Gresham Palace (now the Four Seasons Hotel), glimpsed in the fourth photo.

Peter Althin new leader of Swedish republicans

The high-profile lawyer and politician Peter Althin was today elected leader of the Swedish Republican Association, taking over from Sofia Karlsson. In a short interview with Dagens Nyheter he says he aims to inform the Swedish public about the advantages of a republic rather than stressing the negative aspects of the monarchy.
Peter Althin was an MP for the Christian Democrats from 2002 to 2007, when he chose to leave Parliament. He remains a member of the board of the Christian Democrat Party. He is also one of Sweden’s most high-profile lawyers, having defended, among others, Mijajlo Mijajlovic, who was sentenced to life in prison for assassinating Foreign Minister Anna Lindh in 2003.
Labour MP Magdalena Streijffert was elected deputy leader of the Republican Association.

http://www.dn.se/nyheter/sverige/althin-ny-ordforande-i-republikanska-foreningen-1.994614

Friday, 13 November 2009

The first snow


At dusk today the first real snowfall came in Oslo, covering the Palace Square in snow.

Thursday, 12 November 2009

Ari Behn’s “new” grandfather has died

Those with an interest in royal genealogy may care to note that Ari Behn’s paternal grandfather, Terje Erling Ingebrigtsen, died on 2 November. Born on 11 March 1933, he was the great-grandfather of Maud Angelica, Leah Isadora and Emma Tallulah Behn – fifth, sixth and seventh in line to the Norwegian throne. His funeral took place in Tromsdalen Church (better known as the Ice Sea Cathedral) in Tromsø on Tuesday.
It was only two months ago that it became known that Ingebrigtsen was Ari Behn’s biological grandfather. In an interview with Dagbladet in October Ari Behn said that it was when his relationship with Princess Märtha Louise (whom he married in 2002) became public knowledge and relatives began sending him old family photos that he realised that Bjarne Bjørshol, the man he had always thought was his grandfather, most likely was not the biological father of Behn’s father Olav Bjørshol.
Behn thought there was very little resemblance between his father and the Bjørshol relatives in those photos and last year a DNA test confirmed that Olav Bjørshol and his brother did not have the same father. Eventually it turned out that Terje Ingebrigtsen was his real father. Olav Bjørshol and his wife Marianne Solberg Behn visited Ingebrigtsen and his wife Helen in Tromsø, but it is not known if Ari Behn had the chance to meet his paternal grandfather before his death last week.

Book news: Two Victorias

Among the royal books expected in Sweden next spring are two books dealing with two very different Victorias.
Queen Victoria will be the subject of the biography Drottning Victoria av Sverige – Om kärlek, plikt och politik (“Queen Victoria of Sweden – On Love, Duty and Politics”) by Stig Hadenius, to be published by Norstedt on 26 April. Hadenius, a respected historian and retired professor of journalism, has written two other royal biographies, of Gustaf V (2005) and Folke Bernadotte (2007). Sadly neither of them was very good and it seemed as if Hadenius had not bothered to do much research for them.
Victoria, who died in 1930, was certainly one of the most interesting Swedish queens. Trapped in a loveless marriage with Gustaf V, who is believed to have been homosexual, she had an affair with his equerry Gustaf von Blixen-Finecke in the early 1890s before apparently finding the love of her life in her physician Axel Munthe, best known as the author of the bestselling The Story of San Michele.
Although physically frail she had a will of iron and took an active part in Swedish politics, standing out as a staunch opponent of parliamentarianism and democracy. Her influence culminated in her husband’s so-called “Courtyard Speech” in 1914, which caused the government to resign after the King in a big speech had made public his disagreement with his cabinet. After that her influence deteriorated and she failed in her schemes to bring Sweden into the First World War on the side of Germany, a country she loved better than Sweden. The best book on this fascinating woman is so far Heribert Jansson’s Drottning Victoria (1963), while Margit Fjellman’s Victoria – Sveriges drottning (1980) is dreadful.
Her great-great-granddaughter Crown Princess Victoria will be the subject of Victoria – Prinsessan privat (“Victoria: The Princess in Private”) by Johan T. Lindwall, a tabloid journalist who keeps a very high profile. The book seems to deal mostly with the private life of Crown Princess Victoria and her romance with Daniel Westling in particular. The book will be published by Forum in March and run to about 300 pages.

Wednesday, 11 November 2009

Some recent articles on the Bernadottes

The November issue of Antikvärlden (no 11-2009) takes a look at the design work of three Bernadotte princes – Eugen, Sigvard and Carl Philip. Prince Eugen is best remembered as a painter, but he also tried his hand at design. His octagonal flower pots (pictured right) are his best-known design works as they are still sold at Waldemarsudde, his former home which is now a museum. Other items designed by Prince Eugen are also on display there and in the homes of his brothers’ descendants I have seen some beautiful pieces of silver made after his designs.
The article by Märta Holkers focuses on silver in particular. Prince Carl Philip, who is educated a designer from Rhode Island School of Design in the USA and from Forsbergs skola in Stockholm, made his design debut in March this year with a set of cutlery called CPB 2091. Silver was also a material which appealed to Carl Philip’s great-uncle and Eugen’s great-nephew Sigvard Bernadotte, who, after losing his royal status by marrying a commoner, made a name for himself as an industrial designer. Holkers points out that Sigvard was the first Bernadotte who was able to make a living from his artistic talents. The article also draws the lines back to the artistically gifted children of King Oscar I – King Carl XV, Prince Gustaf and Princess Eugénie.
In the latest issue of Queen (no 7-2009) Roger Lundgren writes about the life of Princess Sibylla, summarising his 2007 biography of King Carl Gustaf’s mother. The magazine also includes some extracts from his interviews with Queen Margrethe and other Danish royals for his upcoming book on Queen Ingrid on the occasion of her centenary next March. In the same issue we learn that the magazine’s readers have voted for Skokloster for the title “Sweden’s most beautiful palace”, pushing Drottningholm Palace into second place and Elghammar Manor into third (of the ten candidates I think I would have given my vote to the latter).
Some weeks ago Svensk Damtidning (no 41-2009) had an article on Swedish royal jewellery, interviewing court jeweller Christian Bolin. With his sister Anita he runs the firm W. A. Bolin, which since its foundation in 1791 has been court jeweller to three Swedish kings and five Russian emperors, making it the oldest family-owned jeweller still in existence. As court jeweller Bolin is in charge of both the Crown Regalia and the jewellery belonging to the Swedish royal family. Much of it is actually owned by family foundations, which Christian Bolin explains by the fact that the pieces of jewellery brought to Sweden by Queen Josephina were so exquisite that one realised Sweden would never be able to replace them. He mentions the so-called “Leuchtenberg sapphires” as one of the most valuable parures because of the high quality of its stones – if one of the sapphires is lost today it will be nearly impossible to replace it with a stone of the same colour and quality.

Monday, 9 November 2009

On this date: The fall of the Berlin Wall



Tonight twenty years have passed since the Berlin Wall came down. The fall of the wall on 9 November 1989 was the climax of the revolutions which swept through Central Europe that year, starting with the near-free elections in Poland in June and the opening of the Hungarian border to the West and ending with Czechoslovakia’s Velvet Revolution and the violent downfall of the Ceausescu regime in Romania in December. Two years later the Soviet Union itself collapsed, changing the world forever.
The Berlin Wall had been the very symbol of the Cold War, making its fall the quintessential symbol of the mostly peaceful revolutions of 1989. During the 28 years the Wall existed, at least 136 people, possibly more than 200, were killed trying to escape over it.
In today’s Berlin you will here and there find a reminder of the divided city, such as a line in the street discreetly showing where the Wall once stood. Scattered across the city are also pieces of the Wall itself.
One of them may be found in Potsdamer Platz (first photo). Before the Second World War this square was, in Timothy Garton Ash’s words, “Berlin’s Piccadilly Circus”. Bombed to pieces during the war, it fell right in the middle of no man’s land when the city was divided into East and West and lay like an empty wasteland for forty years. In the past twenty years Potsdamer Platz has woken up and become the centre of the German capital’s commercial district.
Another slab of the Wall may be found in a bookstore in Friedrichstrasse – on it, President Reagan has written his famous words from his 1987 speech in front of Brandenburg Gate: “Mr Gorbachev, Tear Down – Tear Down – This Wall!” The greatest credit for 1989 should perhaps go to just Mikhail Gorbachev, who, by making it clear that the Soviet Union would not intervene like they had done in East Germany in 1953, in Hungary in 1956 and in Czechoslovakia in 1968, allowed the revolutions to happen.
In Tauentzienstrasse in the western part of the city stands Brigitte and Martin Matschinsky-Denninghoff’s sculpture “Berlin”, symbolising the divided city (third photo). It was erected on the occasion of the city’s 750th anniversary in 1987, two years before Berlin again became one.

In The Guardian today Timothy Garton Ash writes about that memorable night and Victor Sebestyen, author of the excellent Revolution 1989, on the meaning of “the real 9/11”:

http://www.guardian.co.uk/world/2009/nov/09/berlin-wall-anniversary-celebrations

http://www.guardian.co.uk/commentisfree/2009/nov/08/september-11-berlin-wall-communism

Sunday, 8 November 2009

What to see: Brandenburg Gate, Berlin






Tomorrow the Brandenburg Gate (Brandenburger Tor) will provide the scene for the celebrations of the 20th anniversary of the fall of the Berlin Wall, which will be attended by 1980s leaders such as Mikhail Gorbachev, Lech Walesa and Miklós Németh and leaders of the 27 EU countries.
They will all join German Chancellor Angela Merkel in walking through the Brandenburg Gate – in itself a simple act, yet it was an impossibility for 28 years. The Wall used to run just in front of the Gate, which was also the backdrop for Ronald Reagan’s famous speech in 1987, where he urged Gorbachev to “tear down this wall”. Today the Brandenburg Gate is a symbol of a unified Germany and Europe, but most of all of freedom.
The Brandenburg Gate at Pariser Platz is the only survivor of Berlin’s fifteen city gates – as the name indicates it was the gate towards the province of Brandenburg. Berlin has expanded significantly since then and the Brandenburg Gate is now right in the middle of the city centre.
It was built by the architect Carl Gotthard Langhans between 1788 and 1791, but the sculptural decorations were not completed until 1795. With its Doric columns this neoclassical structure stood in marked contrast to the Baroque mansions which surrounded Pariser Platz at the end of the 18th century. By this design Langhans so to speak brought the neoclassical style to Berlin, a city on which that style came to have great influence.
The quadriga carrying the peace goddess Eirene was done by Johann Gottfried Schadow – the original no longer exists, but the current quadriga is an exact replica. The quadriga has been turned around 180 degrees several time to face either east or west and was even taken to Paris when Napoléon I occupied Berlin in 1806.
It returned eight years later. Originally a symbol of peace, it was thereafter considered a symbol of victory. Karl Friedrich Schinkel added a staff surmounted by the Prussian eagle and the iron crass surrounded by a laurel wreath to the goddess, thus transforming her from Eirene to Victoria.
The Brandenburg Gate has seen victory parades such as that taking place after the Franco-Prussian War in 1871 and the Nazi take-over of 1933. In 1945 the red flag was hoisted above it by Soviet soldiers. The division of Berlin which followed left the area around Brandenburg Gate a wasteland, heavily guarded by East German border guards. On 9 November 1989 the world witnessed how thousands of Germans from both east and west climbed the wall in front of Brandenburg Gate. Today Pariser Platz is again a busy square thronged by tourists and flanked by buildings such as the French and US embassies.

Saturday, 7 November 2009

Cities of the world: Paris in 20 pictures

Sunset on the Seine

Christmas lights at Champs-Élysées

Notre-Dame

The Louvre Pyramid

Eiffel Tower across the Seine

Panthéon

Paris by night

Sunset

Place de Vendôme

Nike in the Louvre

Henri IV and Panthéon

La Defense

The Eiffel Tower

Tomb of Louis XVI and Marie-Antoinette

The Arc de Triomphe

Les Invalides and Pont Alexandre III

Modern times

Collége des Quatre Nations seen from Pont des Arts

Winter in the Tuileries Garden

Place de la Concorde

Thursday, 5 November 2009

Stockholm’s Royal Palace starts falling apart

During the last few years renovation work has been carried out in some of the most important rooms of the Royal Palace in Stockholm and since earlier this year parts of the façades of the Royal Palace have been covered in rather ugly black safety nets. Svenska Dagbladet today has a long article on the reason for this, namely that the Gotland sandstone of the façades is crumbling and has started falling down. Replacing the sandstone will be a difficult process which is expected to last at least twenty years, possibly longer. The article also says that the works inside the Palace will not be completed in time for Crown Princess Victoria’s and Daniel Westling’s wedding in June.

http://www.svd.se/kulturnoje/nyheter/artikel_3752737.svd

New books: A political career cut short

The very critical remarks uttered by former Minister of Children and Equality and Labour MP Karita Bekkemellem about Prime Minister Jens Stoltenberg in her memoirs Mitt røde hjerte (“My Red Heart”) have attracted much attention in the Norwegian media since its publication last week. But there are more to the book than that.
Karita Bekkemellem tells the story of her own troubled early years with an alcoholised father and her parents’ divorce, her lack of self confidence, her eating disorders and attempted rape. She was only 24 when elected an MP in 1989 and received a frosty welcome, particularly from female Labour MPs. The sour climate in the Labour Party culminated in her attempted suicide.
The personal troubles she experienced helped shape her political focus – eating disorders and violence in relationships and families were among her “pet cases” as a politician. Gay rights also become one of her most important issues along with other family questions.
In the struggle between Thorbjørn Jagland and Jens Stoltenberg over the leadership of the party she supported the latter, who eventually emerged as the winner. Belonging to the party’s right wing like him, she describes herself as one of Stoltenberg’s most loyal supporters. She was never part of the inner circle, but rose to become leader of the Labour Party’s women’s network and was appointed Minister of Children and Family Issues in Stoltenberg’s first government in 2000-2001. When his second government came to power in 2005, she returned to the ministry which was renamed Children and Equality.
She was a popular and glamorous (some thought too glamorous, an issue she deals with at length in the book) minister who did important work, but perhaps had a tendency to take part in debates which strictly speaking belonged to other ministers. Her most important reform was the new Marriage Act, passed in June 2008, which gives homosexuals and heterosexuals the same right to marry and adopt children.
This work she was not allowed to complete. In October 2007 she was fired from the government, not because she did not do a good job, the Prime Minister told her, but because it was time for a multiethnic minister (her successor Manuela Ramin-Osmundsen had to resign a few weeks later after it had been disclosed how she had lied to the Prime Minister and the public about her appointment of a personal friend to the office of ombudsman for children).
The dismissal and the way it was done – the Prime Minister told her quite off-handed and then failed to keep her informed about even the most basic facts about her resignation (such as what day it would take place) – is the cause of many very critical remarks about him and his style of leadership. Several of her colleagues are also criticised for failing to show support or concern. In her version it seems the climate in the Labour Party did not improve much during her twenty years in parliament and government. She apparently had quite a few run-ins with leading figures of the party in her remaining two years as an MP before she left Parliament at this autumn’s election.
The book has been criticised for being too personal. It is indeed very personal, but Karita Bekkemellem also manages to show how personal experiences influenced her political priorities. It is no doubt very courageous to take on the Prime Minister, who, after the election victory, is stronger than ever. One can only hope that her openness will lead to something being done about the problems she exposes.
She had dearly wanted to continue the important work she had begun as a minister, but was denied the chance to do so in order to make way for a replacement that very quickly proved herself to be incompetent. It would be understandable if this made her bitter. She insists in the book that she is not, but I am not quite sure if she convinces me about that.
To replace Karita Bekkemellem with Manuela Ramin-Osmundsen must have been one of the worst decisions of Jens Stoltenberg’s premiership. That, and what Karita writes about the unsupportive colleagues she encountered as a young MP, indirectly also points to something else which may soon cause a problem for the Labour Party: its failure to build up younger politicians to be the party’s future. This was also quite clearly demonstrated when Parliament was constituted and the government reshuffled in October – although the 30-year-old MP Torgeir Micaelsen was given the important position as leader of Parliament’s Standing Committee on Finance and Economic Affairs, none of the younger Labour MPs were found worthy of a cabinet position. On the other hand two middle-aged former ministers from the early 1990s returned to the government at the same time as Karita Bekkemellem and a number of other “young veterans” left politics.

Tuesday, 3 November 2009

New books: Greek kings and British diplomacy

Greece and the English: British Diplomacy and the Kings of Greece is the title of a rather short book by the Greek historian Panagiotis Dimitrakis recently published by Tauris Academic Studies as number 39 in their “International Library of Historical Studies”.
Although he summarises the early history of the Greek monarchy, the author deals mainly with the last three kings – Georgios II, Pavlos I and Konstantinos II – and their diplomatic relationships with Britain, which was of great importance to them. Britain initially believed that the monarchy was a force for stability in Greece, but Dimitrakis argues that the Greek royals “never considered themselves wholly Greek, failed to understand their subjects, and on many occasions would lament the latter’s mentality and attitudes” and that this was one of the causes for the troubles they landed themselves in, leading to their downfall.
It began already with Georgios I, who, in the author’s word, “interfered in politics, backed selected party leaders, appointing them premiers or ministers, and generally caused enough controversy to make any royal thoroughly unpopular”. His assassination in 1913 was followed by the First World War, the abdication of Konstantinos I (which Britain and France had pressed for) in favour of his second son Alexandros, the latter’s sudden death, Konstantinos’s return and second abdication and the enthronement and deposal of his eldest son Georgios II – all this in only eleven years.
The British still had faith in Georgios II when he returned to the Greek throne in 1935, viewing the monarchy as something which would “help to keep the country free of communist or socialist influence”. But the King soon landed himself in more trouble by implicitly supporting Ioannis Metaxas’s coup in August 1936, which established a dictatorship. The King’s support for Metaxas “undermined his legitimacy, and within a few years the ghost of the dictatorship would come to haunt the king and the royal family”.
The Second World War again found Georgios II in exile, heavily dependent on British support for his return to Greece. Yet he behaved in such a way that he managed to lose most of his friends and supporters in Britain; in the end Churchill was nearly alone in not deserting his cause. Churchill’s aide John Colville wrote that it “would be hard to find two worse advertisements for hereditary monarchy than George of Greece and Peter of Yugoslavia”. The American journalist C. L. Sulzberger found him “an amiable idiot without any feelings for Greece, its people or for politics”. Incredibly, King Georgios in 1941 asked Britian’s Foreign Minister Anthony Eden to intervene against Greek exiles in Egypt who he thought behaved disrespectfully towards the monarchy. “To put it simply, George wanted the British authorities to support him against Greek subjects who might have different ideas about the crown and the post-liberation Greek constitution”, the author sums up.
The issue of the King’s return to Greece after liberation was a long drawn-out struggle; the British eventually managed to persuade him to wait until after a referendum had made clear if he were wanted or not. He returned in the autumn of 1946 and died suddenly on 1 April 1947, to be succeeded by his younger brother Pavlos.
The chapter about his reign is tellingly titled “King Paul and Queen Frederica”. The new king and his wife, described as “an indiscreet, intrigue-loving ‘political animal’”, continued their predecessors’ exercise in unconstitutional monarchy. They had, in Dimitrakis’s words, “a tendency to speak openly to a degree unprecedented among heads of state. They wanted foreign leaders to understand that they were not just constitutional monarchs, but that they exerted considerable influence on foreign and domestic policy”. Particularly the Queen “made clear their intention to discuss Greek politics with foreign leaders without always consulting the government”. Queen Frederika had her private “back-channels” to several foreign leaders, which caused controversies when discovered by the Greek government.
“Taking into consideration the turbulence of Greek politics in the post-war era and her [Frederika’s] strong character, it was just a matter of time before she would cause the controversy that led to the resignation of the prime minister and thus to a constitutional crisis”, Dimitrakis states. About the King’s actions, the author writes: “Paul could not understand a very simple proposition: the head of state cannot ‘hate’ an elected Prime Minister and attacking [sic] him in public”.
This was a policy continued by Pavlos’s son, Konstantinos II, who succeeded to the throne in 1964, aged 23 and under strong influence of his mother. In the author’s word the young King “strongly believed in the prerogatives of the crown and in its ‘right’ to intervene in politics”. As we know, the difficult political situation in Greece in the 1960s ended with the colonels’ coup in April 1967. The author argues that the King “could have denied them the legitimacy they sought” and that his handling of the coup lost him the chance to “project [...] the image of the modern monarch whose role is to safeguard democracy”.
The American ambassador Robin Hooper summed up: “When King Constantine, young, inexperienced, and with few disinterested and competent advisers, succeeded to the throne [...] he was drawn into political manoeuvring to an extent quite inconsistent with the role of a constitutional monarch as it is envisaged in Western Europe; and while he should be given credit for his efforts, he must share a measure of responsibility for the political situation which led to the coup d’etat of 21 April 1967”.
Eight months after the colonels’ coup the King attempted a counter-coup which failed and which drove him into exile. Six years later he was deposed and in 1974 the Greek monarchy was abolished by a referendum. In 1976 the British ambassador in Athens revealed to a representative of the Greek government a royalist plot against the government which was not the ex-King’s initiative, but in which he was deemed to be implicated by not having discouraged it. This affair led Prime Minister James Callaghan to tell the ex-King not to take part in such conspiracies while he was resident in Britain.
While the British government with the passing of the years had come to look at the Greek royals with increasingly critical eyes, the British royal family strove to maintain cordial relations with their Greek counterparts – Queen Elizabeth II, herself married to a Greek prince, even consented to act as an intermediary between the King of the Hellenes and British and American leaders. Not all of their royal relatives were willing to do so. When King Konstantinos was deposed in June 1973, Queen Anne-Marie asked her mother to obtain information on foreign leaders’ attitudes during a meeting of NATO’s foreign secretaries in Copenhagen. That Queen Ingrid did not do so disappointed her daughter and son-in-law, who unlike Queen Ingrid did not know the limits of a constitutional monarchy.
Panagiotis Dimitrakis’s book is first and foremost a political history of the Greek monarchy and its diplomatic relations with Britain. This, and the author’s critical approach, makes it a refreshing contrast to more person-oriented and perhaps overly sympathetic works by authors such as Bo Bramsen or John Van der Kiste. The book seems to be based on meticulous research and is, as such, a solid historical work. But it seems quite one-sided, which makes one wonder if the author would be willing to say anything positive about the Greek kings and their work.
There are also some occasions when the author hints at stories he seems unwilling to elaborate on and which makes one wonder about their substance. He writes that Georgios II returned to Greece in 1935 “after a manipulated referendum had decided that the monarchy was to be restored”, but does not provide further details or state what he bases such a claim on. And there are some cryptic remarks, such as “there had always been a rumour – never confirmed – that Papagos had a blood connection with the royal family”, which is also left hanging, giving it the character of gossip not belonging in such a book. It is also quite obvious that the author is not a native English speaker and unfortunately the publisher has not done their job when it comes to ensuring the quality of the language and grammar in the book.

Monday, 2 November 2009

From a bygone age: Christiania Royal Guard of Citizens



Christiania Royal Guard of Citizens, now long forgotten, was once a popular sight in the Norwegian capital and a familiar aspect of royal ceremonies.
Such companies made up of citizens of the towns have a long history in Norway, where they took care of such tasks which now are performed by the police and fire brigade. The new army ordinance of 1628 stated that there should be 14 such companies in various towns, two of them in Christiania (now Oslo). They were on parade at the acclamation of Frederik III in 1648, but it seems that it was only in 1733, when Christian VI came to Christiania, that uniforms were introduced.
Christiania Royal Guard of Citizens, the most prestigious of these companies, was founded in 1788 on the occasion of the future King Frederik VI’s visit to Norway. This cavalry guard was made up of some of the wealthiest citizens of Christiania. They had to pay for their own uniforms and horses and came to be known as “the Yellow Choir” because of the colour of their hussar uniforms (third photo).
All of them ranked as officers and were therefore exempt from ordinary patrolling duty. The popular artist Andreas Bloch painted them escorting Swedish prisoners of war into Christiania after the Battle of Toverud in 1808, but their most important duties were more glamorous and connected to royal ceremonies.
In the days when royal visitors arrived in Christiania by road, the Citizen Guard would meet them at Tungebråten and escort them along the so-called “King’s Road” over Ekeberg and into town and the royal residence “Paleet” (the Mansion). When the new Royal Palace was completed in 1849, the route was extended up the new main street Slottsveien (renamed Karl Johans gate in 1852) to the Palace.
The guard would also accompany the King and his family for other ceremonial events. There are for example photos of them on parade in the Great Square when Oscar II unveiled the statue of Christian IV in September 1880, but most importantly they served as the royal escort when the King drove to the State Opening of Parliament.
The State Opening in 1880 was one of the last times the Citizen Guard was on parade for that ceremony. With the establishment of a police force and a fire brigade the citizen companies became superfluous and all of them were abolished by an Act of Parliament of 28 May 1881.
Christiania Royal Guard of Citizens was decommissioned by King Oscar II in the Palace courtyard on 8 October 1881. Andreas Bloch painted them leaving the Royal Palace for the last time (the first picture shows a detail). After that the Norwegian capital was without a guard for seven years, until His Majesty the King’s Norwegian Guard in 1888 was moved to Christiania from their barracks in Stockholm.
The mill-owner Hans Fredrik Grüner was the Citizen Guard’s last Captain – the second picture shows him in its yellow uniform. The other members of the Citizen Guard at the time of the decommissioning were Lieutenants Jørgen Young and Fredrik Meyer and Privates Nicolai Andresen, Christian Langaard, Conrad Anker, Einar W. Egeberg, Engelhart Eger, Ingvald Petersen, Erik Hauge, Haaken Mathiesen, Johannes Schjøtt, Anders Semb, Haakon Tofte, Ludvig Woxen, Carl Brambani, Gustav Onsum and a man named Rasch.

Sunday, 1 November 2009

What to see: Excellent Abildgaard exhibition in Copenhagen






To mark the 200th anniversary of his death the Danish National Gallery (Statens Museum for Kunst) currently has an excellent exhibition on the great neoclassical painter and architect Nicolai Abildgaard (1743-1809), titled “Nicolai Abildgaard – Kroppen i oprør” (literally “The Body Rebelling”, but officially translated as “Revolution Embodied”). It began as a small exhibition at the Louvre last winter, grew into a somewhat bigger event in Hamburg and culminates in a large exhibition in Copenhagen, showing Abildgaard’s historical and allegorical paintings, figure studies, drawings, sketches, architectural designs and furniture.
Abildgaard, who spent five years studying in Rome together with other artists exploring the radical ideas emerging towards the end of the 18th century, started out as a history painter, at the time held to be the finest of genres. Upon his return to Denmark in 1778 he was commissioned to decorate the Great Hall at Christiansborg Palace with huge paintings illustrating the history of the Oldenburg dynasty from Christian I to Christian VII.
The first picture above shows a sketch for one of these paintings, namely “Christian IV aboard his flagship ‘Trinity’”, painted in 1782. The series included one painting for each of the Oldenburg kings, but sadly all but four of them were destroyed when Christiansborg Palace burnt down in 1794. “There my name burns”, Abildgaard is alleged to have said as he watched the burning palace.
Abildgaard was unable to make a living by painting alone and therefore also embarked on a career as a designer and architect. The best-known item he designed is the so-called Klismos chair; the second photo shows such a chair from his own home.
The Christiansborg fire meant that the royal family moved to the noble mansions at Amalienborg, awaiting the completion of the second Christiansborg (they remain at Amalienborg to this day, more than 125 years after also the second Christiansborg burned down). Hereditary Prince Frederik bought Levetzau Mansion (today known as Christian VIII’s Palace) and entrusted the task of rebuilding and redecorating it to Abildgaard. The third photo shows a detail from the Great Hall designed by Abildgaard. His drawings for Amalienborg are also included in the exhibition.
Among the other works included in the exhibition are several of his studies of the human body, including “Standing Nude” (fourth picture), which was done in Rome in 1772-1777, and some of his allegories. A notable example of the latter genre is “Jupiter Weighing the Fate of Man” (fifth picture). Painted in the colours of the Tricolour and executed in 1793, this is a subtle tribute to the ideals of the French revolution. In 1799 allegories were banned in Denmark, meaning that most of such works by Abildgaard were never exhibited in public.
Several of his satirical drawings are also included in the exhibition – Abildgaard, who was himself an agnostic if not an atheist, disapproved of religion’s strong position in society, something which is evident from many of his satirical drawings. But other topics were also addressed – the sixth picture shows “Catherine the Great Departing this World” (1796-1797).
“Nicolai Abildgaard – Revolution Embodied” is on until 3 January and is definitely worth a visit. The book accompanying the exhibition is available in both Danish and English.
Except the third (which is by me) all photos in this post are by SMK Foto.
From the museum’s website: http://www.smk.dk/abildgaard